Critical analysis of the documentary with emphasis
on institutional practices that shape and sustain
the genre, argument in documentaries, expectations
of audiences. Organization of materials for
documentaries, editing and montage, principles of
visual composition as they relate to moving
images, functions of sound, ethical
considerations. Planning and production of short
documentaries.
on institutional practices that shape and sustain
the genre, argument in documentaries, expectations
of audiences. Organization of materials for
documentaries, editing and montage, principles of
visual composition as they relate to moving
images, functions of sound, ethical
considerations. Planning and production of short
documentaries.
- Teacher: Bryan Sebok